Roger Waters 2012 Tickets

The Piper At The Gates Of Dawn

The Piper at the Gates of Dawn is the début album by English psychedelic rock group Pink Floyd, and the only one made under founding member Syd Barrett's leadership. The album contains whimsical lyrics about space, scarecrows, gnomes, bicycles and fairy tales, along with psychedelic instrumental songs. The album was initially released in 1967 by Columbia/EMI in the United Kingdom and Tower/Capitol in the United States. Special limited editions were issued to mark its thirtieth and fortieth anniversaries in 1997 and 2007, respectively. The band's record deal was relatively poor for the time—a £5,000 advance over five years, low royalties, and no free studio time. It did, however, include album development, and unsure of exactly what kind of band they had signed, EMI gave them free rein to record whatever they wanted. They were obliged to record their first album at EMI's Abbey Road Studios in London, overseen by producer Norman Smith, a central figure in Pink Floyd's negotiations with EMI. Although in his 2005 autobiography Mason recalled the sessions as relatively trouble-free, Smith disagreed, and claimed that Barrett was unresponsive to his suggestions and constructive criticism. In an attempt to build a relationship with the band, Smith played jazz on the piano, while the band joined in. These jamming sessions worked well; Waters was apparently helpful, and Wright was "laid-back", but Smith's attempts to connect with Barrett were less productive: "with Syd, I eventually realised I was wasting my time." Smith later admitted that his traditional ideas of music were somewhat at odds with the psychedelic background from which Pink Floyd had arrived, but nevertheless he managed to "discourage the live ramble" (as Jenner called it), and guide the band toward producing songs with a more manageable length. Barrett would end up writing ten of the album's songs, with Waters creating the remaining composition, "Take Up Thy Stethoscope and Walk".

Saucerful of Secrets

A Saucerful of Secrets is the second studio album by English rock group Pink Floyd. It was recorded at EMI's Abbey Road Studios on various dates from August 1967 to April 1968. It is both the last Pink Floyd album on which Syd Barrett would appear and the only studio album in which all 5 band members contributed. During A Saucerful of Secrets's difficult recording sessions, Barrett became increasingly unstable, and in January 1968, David Gilmour was brought in. As a result, A Saucerful of Secrets became the only non-compilation Pink Floyd album on which all five band members appeared, with Gilmour appearing on five songs ("Let There Be More Light", "Set the Controls for the Heart of the Sun", "Corporal Clegg", "A Saucerful of Secrets", and "See-Saw"), and Barrett on three ("Remember a Day", "Jugband Blues" and "Set the Controls for the Heart of the Sun"). Barrett was finally ousted from the band in early March, leaving the new incarnation of Pink Floyd to finish the album. "Set the Controls for the Heart of the Sun" is the only song in which all five band members appeared. As well as "Jugband Blues", the album was to include "Vegetable Man," another Syd Barrett song. The song was to appear on a single as the B-side to another unreleased track, "Scream Thy Last Scream". Two additional Syd Barrett songs, "In The Beechwoods" and "No Title" (frequently referred to on bootlegs as "Sunshine"), were also recorded early in the sessions for the album. At least one other song, "John Latham", was recorded during these sessions, and remains unreleased. Keyboardist Richard Wright sings lead vocals on four of the album's seven songs, and backing vocals on the eleven-and-a-half-minute instrumental opus "A Saucerful of Secrets", making this the only Pink Floyd album where Wright's vocal contributions outnumber those of the rest of the band. This is also the only album to contain lead vocals by all five Pink Floyd members (Mason sings lead parts on "Corporal Clegg"), though it is not the only album where the other four have singing credits. On the album Meddle, all four remaining members contributed their voices again, with Mason delivering a single spoken line in "One of These Days".


More is the first full-length soundtrack album by the English rock band Pink Floyd, released on 27 July 1969. The film More was made in Luxembourg in 1969 and was directed by Barbet Schroeder. In it, two songs can be heard that were not included on the album: "Seabirds", and "Hollywood". The album actually comprises the other music used in the film, sometimes in a completely different form.[citation needed] The original American edition shortened the title to just More. This was the last of three Pink Floyd albums to be released in the United States by the Tower Records division of Capitol Records. The 1973 US re-issue was released on Harvest Records. Although the CD edition restores the original United Kingdom title in all countries, it is represented differently on the spine (Music from the Film More) and label More. More contains some acoustic folk ballads, a genre that appeared sparsely on later works. It also contains a couple of hard rock songs ("The Nile Song", "Ibiza Bar"), as well as several instrumental tracks, featuring their experimental (or avant-garde) approach. This is Pink Floyd's first full album without founding member Syd Barrett, who was ousted from the group in early 1968 during the recording of their previous album, A Saucerful of Secrets. It is the only Pink Floyd album to feature David Gilmour as the sole lead vocalist, except for 1987's A Momentary Lapse of Reason and it is also the first album to be produced by Pink Floyd without assistance from Norman Smith. It was recorded at Pye Studios, Marble Arch, London and engineered by Brian Humphries. More reached #9 in the UK and—upon re-release in 1973—#153 in the US. In 1987, the album was re-released on CD. A digitally remastered CD was released in 1995 in the UK and 1996 in the US.



Ummagumma is a double album by Pink Floyd, released in 1969 by Harvest and EMI in the United Kingdom and Harvest and Capitol in the United States. Disc A is a live album of their normal set list of the time, while disc B contains compositions by each member of the band recorded as a studio album. The album's title supposedly comes from a Cambridge slang word for sex, commonly used by one of Pink Floyd's friends and occasional roadie, Ian "Emo" Moore, who would say 'I'm going back to the house for some ummagumma'. However, some band members have since stated that the word was "totally made up and means nothing at all". In footage of the band rehearsing for a Royal Albert Hall appearance in 1969, one of the band members can be heard, off camera, quietly chanting the word "ummagumma". Although the sleeve notes say that the live material was recorded in June 1969, the first disc of Ummagumma was recorded live at Mothers Club, Birmingham on 27 April 1969 and the following week at Manchester College of Commerce on 2 May 1969; the second disc included four solo segments, one half-side of vinyl each by, in order: Richard Wright, Roger Waters, David Gilmour, and Nick Mason. The band had also recorded a live version of "Interstellar Overdrive" (from The Piper at the Gates of Dawn) intended for placement on side one of the live album, and "The Embryo", which was recorded in the studio before it was decided that the band members each come up with their own material. The tracks were dropped at the last minute, probably to maintain the sound fidelity of the record, but numerous test pressings with the original track list were given to friends of the band, including John Peel. The reason for the cut of "Interstellar Overdrive" was most likely due to time constraints, as it was over 13 minutes long.

Zabriskie Point

Pink Floyd's contributions to the album were recorded in November and December 1969, after the release of Ummagumma. "Come in Number 51, Your Time Is Up" is a re-recording of "Careful with That Axe, Eugene," originally released as a b-side in December 1968. "Love Scene (Version 4)" is a Richard Wright solo piano composition. "Country Song" (also known as "The Red Queen") is a ballad filled with chess metaphors. "Unknown Song" (also known as "Rain in the Country") is a relaxed instrumental. "Love Scene (Version 6)" is a bluesy instrumental. A track entitled "Fingal's Cave" and another called "Oenone" were recorded but did not appear on the finished album. Pink Floyd also recorded other unreleased material during the same sessions. Most notable is a lengthy composition which at that time was known as "The Violent Sequence". This piece is immediately recognizable as the basis of "Us and Them" from The Dark Side of the Moon.

Atom Heart Mother

Atom Heart Mother is the fifth studio album by English progressive rock band Pink Floyd, released in 1970 by Harvest and EMI Records in the United Kingdom and Harvest and Capitol in the United States. It was recorded at Abbey Road Studios, London, England, and reached number one in the United Kingdom, and number 55 in the United States charts, and went gold in the U.S. in March 1994. A re-mastered CD was released in 1994 in the UK, and in 1995 in the US. This was the first Pink Floyd album to be specially mixed for 4-channel quadraphonic sound as well as conventional 2-channel stereo. The SQ quadraphonic mix was released on LP in a matrix format compatible with standard stereo record players. There was also a release of the quadraphonic version in the UK in fully discrete 4-channel form on the "Quad-8" format, a 4-channel variant of the stereo 8-track tape cartridge. The original album cover shows a cow standing in a pasture with no text nor any other clue as to what might be on the record. Some later editions have the title and artist name added to the cover. This concept was the group's reaction to the psychedelic space rock imagery associated with Pink Floyd at the time of the album's release; the band wanted to explore all sorts of music without being limited to a particular image or style of performance. They thus requested that their new album had "something plain" on the cover, which ended up being the image of the cow. Storm Thorgerson, inspired by Andy Warhol's famous "cow-wallpaper," has said that he simply drove out into a rural area near Potters Bar and photographed the first cow he saw. The cow's owner identified her name as "Lulubelle III". More cows appear on the back cover, again with no text or titles, and on the inside gatefold. Also, a pink balloon shaped like a cow udder accompanied the album as part of Capitol's marketing strategy campaign. The liner notes give a recipe for whole stuffed camel. The album cover appears in Stanley Kubrick's film A Clockwork Orange. It is viewable on a shelf in the music shop scene.


Relics is a compilation album by Pink Floyd released in 1971. The album was released on 14 May in the UK and 15 July in the United States. A re-mastered CD was released in 1995 with a different album cover, a three-dimensional version of the original sketch drawn by drummer Nick Mason for the initial release. Initially released by Starline, the compilation was reissued by Music for Pleasure in the United Kingdom; Harvest and Capitol distributed the album in the United States. The release of Relics was sparked by the success of Atom Heart Mother which peaked at #1 on the British charts. Relics has been released on numerous occasions, and at times without the proper authority. One such incident involved EMI Australia releasing the album without the band's consent. This led to the LP being withdrawn and the album as a result became a rarity. A reissue of the album in 1996 meant that it could be purchased easily again. Until the more definitive release of The Early Singles (1992), Relics was most noted for its inclusion of Syd Barrett-era hit singles, "Arnold Layne" and "See Emily Play", as well as B-sides to three other singles. The Relics versions of "Paintbox", "Julia Dream" and "Careful with That Axe, Eugene" are mixed in stereo. Relics has the only CD release of "Paintbox" that has the same length (3:33) that the original single version had; on the albums The Early Singles (1992), 1967: The First Three Singles (1997), and the 40th anniversary edition of The Piper at the Gates of Dawn (2007), it fades out about 13 seconds later. The album also includes a previously unreleased studio recording of a Roger Waters composition, "Biding My Time", which had otherwise only been heard by live audiences as part of "The Man and the Journey" concert sequence. Songs previously released on albums are identical to their album versions.


Meddle is the sixth studio album by English progressive rock group Pink Floyd. It was released in October 1971. The album was recorded at a series of locations around London, including Abbey Road Studios. With no material to work with and no clear idea of the album's direction, the band devised a series of novel experiments which eventually inspired the album's signature track, "Echoes". Although many of the group's later albums would be unified by a central theme with lyrics written mainly by Roger Waters, Meddle was a group effort with lyrical contributions from each member. Meddle was produced between the band's touring commitments, from January to August 1971. Reviews were mixed, and although it was commercially successful in the United Kingdom, lacklustre publicity on the part of their US label led to poor sales there. Returning from a series of tours of Atom Heart Mother across America and England, at the start of 1971 the band started work on new material at Abbey Road. The album was the first the band had worked on in the studio since 1968's A Saucerful of Secrets, but Abbey Road was equipped only with eight-track multitrack recording facilities, which Pink Floyd found insufficient for the increasing technical demands of their project. They transferred their best efforts, including the opening of "Echoes", to 16-track tape at smaller studios in London (namely AIR, and Morgan in West Hampstead) and resumed work with the advantage of more flexible recording equipment. Engineers John Leckie and Peter Bown recorded the main Abbey Road and AIR sessions, while for minor work at Morgan studios in West Hampstead Rob Black and Roger Quested handled the engineering duties. Lacking a central theme for the project, the band used several experiments in a divergent attempt to spur the creative process. One exercise involved each member playing on a separate track, with no reference to what the other members were doing. The tempo was entirely random while the band played around an agreed chord structure, and moods such as 'first two minutes romantic, next two up tempo'. Each recorded section was named, but the process was largely unproductive; after several weeks no complete songs had been created. John Leckie had worked on albums such as All Things Must Pass and Ringo Starr's Sentimental Journey, and was employed as a tape-operator on Meddle, partly for his proclivity for working into the early hours of the morning. Pink Floyd's sessions would often begin in the afternoon, and end early the next morning, "...during which time nothing would get done. There was no record company contact whatsoever, except when their label manager would show up now and again with a couple of bottles of wine and a couple of joints." The band would apparently spend long periods of time working on simple sounds, or a particular guitar riff. They also spent several days at Air Studios, attempting to create music using a variety of household objects, a project which would be revisited between their next albums, The Dark Side of the Moon and Wish You Were Here. Following these early experiments—called "Nothings"—the band developed "Son Of Nothings", which was followed by "Return Of The Son Of Nothings"—the working title of the new album. One of these early works involved the use of Richard Wright's piano. Wright had fed a single note through a Leslie speaker, producing a submarine-like ping. The band tried repeatedly to recreate this sound in the studio but were unsuccessful, and so the demo version was used on what would later become "Echoes", mixed almost exclusively at Air Studios. Combined with David Gilmour's guitar, the band were able to develop the track further, experimenting with accidental sound effects (such as Gilmour's guitar being plugged into a wah-wah pedal back to front). Unlike Atom Heart Mother the new multi-track capabilities of the studio enabled them to create the track in stages, rather than performing it in a single take. The final 23-minute piece would eventually take up the entire second side of the album. "One of These Days" was developed around an ostinato bassline created by Roger Waters, by feeding the output through a Binson Echorec. The bass line was performed by Waters and David Gilmour using two bass guitars, one on old strings. Nick Mason's abstruse "One of these days I'm going to cut you into little pieces" line was recorded at double speed using a falsetto voice, and replayed at normal speed. Meddle was recorded between the band's various concert commitments, and therefore its production was spread over a considerable period of time. The band recorded in the first half of April, but in the latter half played at Doncaster and Norwich before returning to record at the end of the month. In May they split their time between sessions at Abbey Road, and rehearsals and concerts in London, Lancaster, Stirling, Edinburgh, Glasgow, and Nottingham. June and July were spent mainly performing at venues across Europe. August was spent in the far east and Australia, September in Europe, and October to November in the US. In the same period the band also produced Relics, a compilation album of some of Pink Floyd's earlier works. A quadraphonic mix of the album was prepared at Command Studios on 21 and 26 September, but remains unreleased.

Obscured By Clouds

Obscured by Clouds is the seventh studio album by Pink Floyd, based on their soundtrack for the French film La Vallée, by Barbet Schroeder. Some copies of the album refer to the film by its English title, The Valley. The LP was released in the United Kingdom on 3 June 1972 on Harvest/EMI and then in the United States on 15 June 1972 on Harvest/Capitol. The album reached #1 in France, #6 on the UK album charts and #46 on the US album charts (where it was certified Gold by the RIAA in March 1994).[citation needed] In 1986, the album was released on CD. A digitally remastered CD was released in March 1996 in the UK and August 1996 in the US. The cover of Obscured By Clouds is an out-of-focus film still of a man in a tree. At this point in their career, the band were not new to scoring movies. They had already scored the films The Committee in 1968 and More in 1969. The band were already working on The Dark Side of the Moon during this period, but production was interrupted when the band travelled to France to score the movie. Nick Mason refers to the project: "After the success of More, we had agreed to do another sound track for Barbet Schroeder. His new film was called La Vallée and we travelled over to France to record the music in the last week of February... We did the recording with the same method we had employed for More, following a rough cut of the film, using stopwatches for specific cues and creating interlinking musical moods that would be cross-faded to suit the final version... The recording time was extremely tight. We only had two weeks to record the soundtrack with a short amount of time afterwards to turn it into an album." "Free Four" was the first Pink Floyd song to get significant airplay in the U.S., and the first to deal directly with the death of Eric Fletcher Waters, Roger Waters' father.[citation needed] In a snippet of interview footage that appeared in the 1974 theatrical version (later released on VHS and Laserdisc) and subsequent "Director's Cut DVD" versions of Pink Floyd: Live at Pompeii, Roger Waters stated that early UK pressings of the album contained excessive sibilance (a loud high-frequency sound most apparent on "s", "sh", and "t" sounds which often causes distortion.) As Waters says in the film, the sibilant distortion was caused by "a bad cut", meaning it came from a poor quality tape to disk transfer during mastering. The sibilance problem was corrected in later pressings. Obscured by Clouds was the second Pink Floyd album to feature the VCS 3 synthesiser as stated by EMS Archives.

Dark Side of the Moon

The Dark Side of the Moon is the eighth studio album by English progressive rock band Pink Floyd, released in March 1973. The concept album built on ideas explored by the band in their live shows and earlier recordings, but it lacks the extended instrumental excursions that characterised their work following the departure in 1968 of founding member, principal composer and lyricist Syd Barrett. The Dark Side of the Moon's themes include conflict, greed, the passage of time and mental illness, the latter partly inspired by Barrett's deteriorating mental state. The album was developed as part of a forthcoming tour of live performances, and was premiered several months before studio recording began. The new material was further refined during the tour and was recorded in two sessions in 1972 and 1973 at Abbey Road Studios in London. The group used some of the most advanced recording techniques of the time, including multitrack recording and tape loops. Analogue synthesisers were given prominence in several tracks, and a series of recorded interviews with staff and band personnel provided the source material for a range of philosophical quotations used throughout. Engineer Alan Parsons was directly responsible for some of the most notable sonic aspects of the album, including the non-lexical performance of Clare Torry. The album's iconic sleeve features a prism that represents the band's stage lighting, the record's lyrics, and the request for a "simple and bold" design. The Dark Side of the Moon was an immediate success, topping the Billboard Top LPs & Tapes chart for one week. It subsequently remained in the charts for 741 weeks from 1973 to 1988, longer than any other album in history. With an estimated 45 million copies sold, it is Pink Floyd's most commercially successful album and one of the best-selling albums worldwide. It has twice been remastered and re-released, and has been covered in its entirety by several other acts. It spawned two singles, "Money" and "Us and Them". In addition to its commercial success, The Dark Side of the Moon is one of Pink Floyd's most popular albums among fans and critics, and is frequently ranked as one of the greatest rock albums of all-time. The Dark Side of the Moon built upon experiments Pink Floyd had attempted in their previous live shows and recordings, but lacks the extended instrumental excursions which, according to critic David Fricke, had become characteristic of the band after founding member Syd Barrett left in 1968. Guitarist David Gilmour, Barrett's replacement, later referred to those instrumentals as "that psychedelic noodling stuff", and with Waters cited 1971's Meddle as a turning-point towards what would be realised on the album. The Dark Side of the Moon's lyrical themes include conflict, greed, the passage of time, death, and insanity, the latter inspired in part by Barrett's deteriorating mental state; he had been the band's principal composer and lyricist. The album is notable for its use of musique concrète and conceptual, philosophical lyrics, as found in much of the band's other work. Each side of the album is a continuous piece of music. The five tracks on each side reflect various stages of human life, beginning and ending with a heartbeat, exploring the nature of the human experience, and (according to Waters) "empathy". "Speak to Me" and "Breathe" together stress the mundane and futile elements of life that accompany the ever-present threat of madness, and the importance of living one's own life—"Don't be afraid to care". By shifting the scene to an airport, the synthesiser-driven instrumental "On the Run" evokes the stress and anxiety of modern travel, in particular Wright's fear of flying. "Time" examines the manner in which its passage can control one's life and offers a stark warning to those who remain focussed on mundane aspects; it is followed by a retreat into solitude and withdrawal in "Breathe (Reprise)". The first side of the album ends with Wright and vocalist Clare Torry's soulful metaphor for death, "The Great Gig in the Sky". Opening with the sound of cash registers and loose change, the first track on side two, "Money", mocks greed and consumerism using tongue-in-cheek lyrics and cash-related sound effects (ironically, "Money" has been the most commercially successful track from the album, with several cover versions produced by other bands). "Us and Them" addresses the isolation of the depressed with the symbolism of conflict and the use of simple dichotomies to describe personal relationships. "Brain Damage" looks at a mental illness resulting from the elevation of fame and success above the needs of the self; in particular, the line "and if the band you're in starts playing different tunes" reflects the mental breakdown of former band-mate Syd Barrett. The album ends with "Eclipse", which espouses the concepts of alterity and unity, while forcing the listener to recognise the common traits shared by humanity.

A Nice Pair

A Nice Pair is a compilation album by Pink Floyd, re-issuing their first two albums—The Piper at the Gates of Dawn and A Saucerful of Secrets—in a new gatefold sleeve. The album was released in December 1973 by Harvest and Capitol in the United States and the following month in the United Kingdom by Harvest and EMI. It reached #36 in the U.S. Billboard album charts, and was certified gold by the Recording Industry Association of America (RIAA) in March 1994. There are a few differences between the U.S. and UK issues on the first disc of this compilation. In the U.S. Harvest Records and its distributor Capitol Records reconstructed their edition from tapes that had been previously altered for the debut 1967 U.S. album Pink Floyd (the original U.S. title for Piper) and other recordings, which were cut from the U.K version. As explained in a note on the back cover of the U.S. edition of A Nice Pair, songs dropped from the U.S. 1967 Pink Floyd album, "Flaming", "Astronomy Domine" and "Bike", are restored for this re-issue. However, some of the restored songs appear in versions that are different from the U.K. "Piper" release: the eight-minute live Ummagumma recording of "Astronomy Domine" replaces the original four-minute studio recording; "Interstellar Overdrive" fades out slightly early (as it did on the U.S. debut album) and adds a few seconds of silence before "The Gnome", rather than using a segue between these songs as found on the UK version; and "Flaming" is an alternate mix and edit which previously appeared on a U.S. single, and the only track to appear on this album in mono. In later pressings, the correct stereo version of "Flaming" was restored, while the other songs continued to appear in the versions described here. The American version of this album was also released in Canada.

Wish You Were Here

Wish You Were Here is the ninth studio album by English progressive rock group Pink Floyd, released in September 1975. Inspired by material they composed while performing across Europe, it was recorded over numerous sessions at London's Abbey Road Studios. The album explores themes of absence, the music business, and former band-mate Syd Barrett's mental decline. Early sessions were a difficult and arduous process but it was Roger Waters' idea to split the centrepiece track "Shine On You Crazy Diamond" in two, and join each half with three new compositions. "Shine On" was a tribute to Barrett, who, coincidentally, made an impromptu visit to the studio while it was being recorded. The band failed initially to recognise Barrett, who had gained weight and changed in appearance. As in their previous work, The Dark Side of the Moon, the band made use of studio effects and synthesizers. Roy Harper was a guest vocalist on "Have a Cigar". The album packaging, again designed by Storm Thorgerson, featured an opaque black sleeve inside which was hidden the album artwork. Wish You Were Here premiered at Knebworth in July 1975, and was released in September that year. It was an instant success; record company EMI was unable to print enough copies to satisfy the demand. Initially receiving mixed reviews, the album has since become acclaimed by critics, and it placed at number 209 on Rolling Stone magazine's list of "The 500 Greatest Albums of All Time". Band members Richard Wright and David Gilmour have each declared Wish You Were Here their favourite Pink Floyd album. Wish You Were Here is the second Pink Floyd album to use a conceptual theme written entirely by Waters, and echoes his feeling at the time that the camaraderie that had served the band previously, was largely absent. The album begins with an eight minute thirty seconds instrumental preamble, before segueing into the lyrics for "Shine On You Crazy Diamond". "Shine On" is a tribute to former band member Syd Barrett, whose drug-induced breakdown had forced him to leave the band several years before. Barrett is fondly recalled with lines such as "Remember when you were young, you shone like the sun" and "You reached for the secret too soon, you cried for the moon". The album is also a critique of the music business; "Shine On" fades seamlessly into "Welcome to the Machine", which begins with the opening of a door—described by Waters as a symbol of musical discovery and progress betrayed by a music industry more interested in greed and success. The song ends with sounds from a party, epitomising "the lack of contact and real feelings between people". Similarly, "Have a Cigar" scorns record industry "fatcats", its lyrics containing well-used clichés such as "can hardly count", "they call it riding the gravy train", and "by the way, which one's Pink?"—a question actually asked of the band on at least one occasion. "Wish You Were Here" contains lyrics which relate not only to Barrett's condition, but also to the dichotomy of Waters' character, as an idealist, and a domineering personality. The album closes with a reprise of "Shine On", and further instrumental excursions.


Animals is the tenth studio album by English progressive rock group Pink Floyd, and was released in January 1977. A concept album, it provides a scathing critique of the social-political conditions of 1970s Britain, and presents a marked change in musical style from their earlier work. Animals was recorded at the band's studio, Britannia Row, in London, but its production was punctuated by the early signs of discord that several years later would culminate in keyboardist Richard Wright leaving the band. The album's cover image, a pig floating between two chimneys on Battersea Power Station, was designed by bassist and writer Roger Waters, and produced by long-time collaborator Hipgnosis. The album was released to generally positive reviews in the United Kingdom (UK), where it reached number two. It was also a success in the United States (US), reaching number three on the Billboard album charts, and although it scored on the American charts for only six months, steady sales have resulted in its certification by the RIAA at four times platinum. The size of the venues on the band's In the Flesh tour, and an incident in which he spat at a fan, prompted Roger Waters to conceive the band's subsequent album, The Wall. Animals was the child of another Waters concept; loosely based on George Orwell's political fable Animal Farm, its lyrics described various classes in society as different kinds of animals; the combative dogs, despotic ruthless pigs, and the "mindless and unquestioning herd" of sheep. Whereas the novella focuses on Stalinism, the album is a critique of capitalism and differs again in that the sheep eventually rise up to overpower the dogs. The album was developed from a collection of unrelated songs into a concept which, in the words of author Glenn Povey, "described the apparent social and moral decay of society, likening the human condition to that of mere animals." Apart from its critique of society, the album was also in part a response to the punk rock movement, which grew in popularity as a nihilistic statement against the prevailing social and political conditions, and also a reaction to the general complacency and nostalgia that appeared to surround rock music. Pink Floyd was an obvious target for punk musicians, notably Johnny Rotten, who wore a Pink Floyd t-shirt on which the words "I hate" had been written in ink. Drummer Nick Mason later stated that he welcomed the "Punk Rock insurrection" and viewed it as a welcome return to the underground scene from which Pink Floyd had grown. In 1977 he produced The Damned's second album at Britannia Row. "Pigs (Three Different Ones)" Play sound The "Pigs" on Animals represent the people whom Waters viewed as being at the top of the social ladder Problems listening to this file? See media help. In his 2008 book Comfortably Numb, author Mark Blake argues that "Dogs" contains some of David Gilmour's finest work; although the guitarist sings only one lead vocal, his performance is "explosive". The song also contains notable contributions from keyboardist Richard Wright, which echo the funereal synthesiser sounds used on the band's previous album, Wish You Were Here. "Pigs (Three Different Ones)" is audibly similar to "Have a Cigar", with bluesy guitar fills from Gilmour. Of the song's three pigs, the only one directly identified is morality campaigner Mary Whitehouse, who amongst other things is described as a "house-proud town mouse". "Sheep" contains a modified version of Psalm 23, which continues the traditional "The Lord is my shepherd" with words like "he maketh me to hang on hooks in high places and converteth me to lamb cutlets" (referring to the sheep of the title). Toward the end of the song, the eponymous sheep rise up and kill the dogs, but later retire back to their homes. The album is book-ended by each half of "Pigs on the Wing", a simple love song in which a glimmer of hope is offered despite the anger expressed in the album's three other songs. Described by author Andy Mabbett as "[sitting] in stark contrast to the heavyweight material between them", the two halves of the song were heavily influenced by Waters' relationship with his then girlfriend.

The Wall

The Wall is the eleventh studio album by English progressive rock group Pink Floyd. Released as a double album on 30 November 1979, it was subsequently performed live with elaborate theatrical effects, and adapted into a feature film, Pink Floyd The Wall. As with the band's previous three studio albums The Wall is a concept album, and deals largely with themes of abandonment and personal isolation. It was first conceived during the band's 1977 In the Flesh Tour, when bassist and lyricist Roger Waters's frustration with the spectators' perceived boorishness became so acute that he imagined building a wall between the performers and audience. The album is a rock opera that centres on Pink, a character based on Waters. Pink's life experiences begin with the loss of his father during the Second World War, and continue with ridicule and abuse from his schoolteachers, an overprotective mother and finally, the breakdown of his marriage. All contribute to his eventual self-imposed isolation from society, represented by a metaphorical wall. The Wall features a notably harsher and more theatrical style than Pink Floyd's previous releases. Keyboardist Richard Wright left the band during the album's production but remained as a salaried musician, performing with Pink Floyd during The Wall Tour. Commercially successful upon its release, the album was one of the best selling of 1980, and as of 1999, it had sold over 23 million RIAA certified units (11.5 million albums) in the United States. Rolling Stone magazine placed The Wall at #87 on its list of The 500 Greatest Albums of All Time. The Wall is a rock opera that explores abandonment and isolation, symbolised by a metaphorical wall. The songs create an approximate storyline of events in the life of the protagonist, Pink, a character based on Waters, whose father was killed during the Second World War. Pink is oppressed by his overprotective mother, and tormented at school by tyrannical, abusive teachers. Each of these traumas become metaphoric "bricks in the wall". The protagonist eventually becomes a rock star, his relationships marred by infidelity, drug use, and outbursts of violence. As his marriage crumbles, he finishes building his wall, completing his isolation from human contact. Hidden behind his wall, Pink's crisis escalates, culminating in an hallucinatory on-stage performance where he believes that he is a fascist dictator performing at concerts similar to Neo-Nazi rallies, at which he sets men on fans he considers unworthy. Tormented with guilt, he places himself on trial, his inner judge ordering him to "tear down the wall", opening Pink to the outside world. The album turns full circle with its closing words "Isn't this where...", the first words of the phrase that begins the album, "...we came in?", with a continuation of the melody of the last song hinting at the cyclical nature of Waters's theme. The album includes several references to former band member Syd Barrett, including "Nobody Home", which hints at his condition during Pink Floyd's abortive US tour of 1967, with lyrics such as "wild, staring eyes", "Hendrix perm" and "Gohills Boots". "Comfortably Numb", was inspired by Waters's injection with a muscle relaxant to combat the effects of hepatitis during the In the Flesh Tour.

Collection of Great Dance Songs

A Collection of Great Dance Songs is a compilation album by Pink Floyd released on November 23, 1981 (1981-11-23) on Harvest/EMI in the UK and Columbia Records in the United States. The title is facetious, given that Pink Floyd are not known for making particularly danceable music. This is perhaps evidenced by the album art, which featured a photograph of ballroom dancers guyed to the ground so they cannot move. The Hipgnosis design team did the cover under the pseudonym TCP after falling out with Roger Waters a few years earlier.[citation needed] The inner sleeve had pictures of dancers in either a white (UK) or black (U.S.) background. The picture labels were a black background with blue lines and red sketch lined dancers on side one and reverse on side two. The album contains alternate mixes of "Shine On You Crazy Diamond" (which comprises parts 1–3, 5 and 7) and "Another Brick in the Wall (Part 2)" (which combines the intro from the single mix with the album version which fades out during the "if you don't eat your meat" ending). Also, the track "Money" was re-recorded as Capitol Records refused to let Columbia Records in the U.S. use the track.[citation needed] David Gilmour re-recorded the track himself playing all of the drums, guitars, keyboards, bass guitar and vocals and co-producing the song with James Guthrie. Dick Parry reprised his saxophone role on the track. There are some slight differences between the re-recorded version and the original; mainly in certain sections of the saxophone and guitar solos and the overall use of reverb. The drumming is noticeably different from Nick Mason's. The album was certified Gold by the RIAA on 29 January 1982 and Platinum on 6 July 1989 and Double Platinum in August, 2001. The album reached #37 on the United Kingdom charts and #31 in the United States. Columbia issued the remastered CD in 1997 in the U.S. and most of the world save Europe. Then a 1997 remastered CD was re-released in 2000 on Capitol Records in the U.S. and EMI for the rest of the world including Europe.

Final Cut

The Final Cut is the twelfth studio album by English progressive rock group Pink Floyd. It was released in March 1983 by Harvest Records in the United Kingdom, and several weeks later by Columbia Records in the United States. A concept album, The Final Cut is the last of the band's releases to include founding member and longtime lyricist Roger Waters. It is the only Pink Floyd album on which Waters is credited for the writing and composition of every song. Most of the lyrics are sung by Waters; lead guitarist David Gilmour provides vocals on only one of the album's tracks. The Final Cut was originally planned as a soundtrack album for the band's 1982 film Pink Floyd The Wall. With the onset of the Falklands War, Waters changed it to be a critique of war, and also what he considered the betrayal of his father. The Final Cut was recorded in eight studios across Britain, from July to December 1982. As with most of Pink Floyd's discography, a range of session musicians were employed as contributors, but its production was dominated by increasing tensions between Waters and his band mates, particularly Gilmour. The packaging was designed by Waters, and reflects the content of the album. It reached the top of the UK Album Charts, but received mixed reviews. An accompanying short film was later released. Following the album's release each member of the band concentrated on solo projects, but Waters then announced that he had left the group, and later attempted to keep Gilmour and drummer Nick Mason from using the Pink Floyd name. Gilmour has since expressed his dislike for much of The Final Cut. The Final Cut was about how, with the introduction of the Welfare State, we felt we were moving forward into something resembling a liberal country where we would all look after one another...but I'd seen all that chiselled away, and I'd seen a return to an almost Dickensian society under Margaret Thatcher. I felt then, as now, that the British government should have pursued diplomatic avenues, rather than steaming in the moment that task force arrived in the South Atlantic. —Roger Waters ---- I'm certainly guilty at times of being lazy, and moments have arrived when Roger might say, "Well, what have you got?" And I'd be like, "Well, I haven't got anything right now. I need a bit of time to put some ideas on tape." There are elements of all this stuff that, years later, you can look back on and say, "Well, he had a point there." But he wasn't right about wanting to put some duff tracks on The Final Cut. I said to Roger, "If these songs weren't good enough for The Wall, why are they good enough now?" —David Gilmour


Works is a Pink Floyd compilation album released in 1983 by their former American label, Capitol Records, to compete with their then-current album The Final Cut. The main interest for collectors is the track "Embryo", an outtake from Ummagumma that later became a concert staple in a greatly elongated form, which originally only appeared in January 1970 on a scarce various artists compilation album promoting Pink Floyd's UK label Harvest Records entitled Picnic - A Breath of Fresh Air. Also unique to Works, the tracks "Brain Damage" and "Eclipse" are presented as alternate versions, possibly stereo mixes from the master tapes of the quadraphonic edition of The Dark Side of the Moon. The cover art for the album was inspired by the c. 1948 poster "Nederland industrialiseert" ("Holland industrialises") designed by Dutch graphic artist Wladimir Flem. * "Brain Damage" and "Eclipse" both have alternate mixes. Changes to these include different cut times between the two songs as well as the audience heard at the end of "Fearless"/ beginning of "Brain Damage." Another change is that some of the spoken parts from the tracks are at different volumes — the primary reason for this is that the versions featured here are stereo folddowns of the quadraphonic mix. * Some other tracks are present in alternate "cross-fade" mixes, most notably on the segues between "See Emily Play"/"Several Species of Small Furry Animals" and "Fearless/Brain Damage".

A Momentary Lapse of Reason

A Momentary Lapse of Reason is the thirteenth studio album by English progressive rock group Pink Floyd. It was released in the UK and US in September 1987. In 1985 guitarist David Gilmour began to assemble a group of musicians to work on his third solo album. At the end of 1986 he changed his mind, and decided that the new material would instead be included in a new Pink Floyd album. Subsequently Pink Floyd drummer Nick Mason and keyboardist Richard Wright were brought on board for the project. Although for legal reasons Wright could not be re-admitted to the band, he and Mason helped Gilmour craft what would become the first Pink Floyd album since the departure of lyricist and bass guitarist Roger Waters in December 1985. The album was recorded primarily on Gilmour's converted houseboat, Astoria. Its production was marked by an ongoing legal dispute between Waters and the band as to who owned the rights to Pink Floyd's name, which was not resolved until several months after the album was released. Unlike most of Pink Floyd's studio albums, A Momentary Lapse of Reason has no central theme, and is instead a collection of rock songs written mostly by Gilmour and musician Anthony Moore. Although the album received mixed reviews and was derided by Waters, with the help of an enormously successful world tour it easily out-sold their previous album The Final Cut. A Momentary Lapse of Reason is certified multi-platinum in the US. After the release of their 1983 album The Final Cut (viewed by some to be a de facto Roger Waters solo record), the three members of Pink Floyd worked on individual solo projects. In 1984 guitarist David Gilmour expressed some of his feelings about his relationship with bassist Waters on his second solo album, About Face. He finished touring in support of About Face just as Waters began travelling with his new solo album, The Pros and Cons of Hitch Hiking. Although both musicians had enlisted the aid of a range of successful performers, including—in Waters' case—Eric Clapton, each found that for their fans, the lure of a solo name was somewhat less enticing than that of Pink Floyd. Poor ticket sales forced Gilmour to cancel several dates, and critic David Fricke commented that Waters' show was "a petulant echo, a transparent attempt to prove that Roger Waters was Pink Floyd". After a six-month break, Waters returned to the US in March 1985, with a second tour. He did so without the support of CBS Records, which made no secret of the fact that what they really wanted was a new Pink Floyd album. Waters responded by calling the corporation "a Machine".

Delicate Sound of Thunder

Delicate Sound of Thunder is a Pink Floyd live double album from the David Gilmour-led era of the band which was recorded over five nights at the Nassau Coliseum on Long Island, New York in August 1988 and mixed at Abbey Road Studios in September 1988. It was released on 22 November 1988, through EMI Records in the United Kingdom and Columbia Records in the United States. This was the last Pink Floyd release made with vinyl as its primary medium; all subsequent releases have been made with CD as their primary medium. The band recorded and filmed their series of shows at the Omni Coliseum in Atlanta, Georgia in November 1987 for a potential live concert film and album. However, the band were not happy with the results. Consequently, the material from these shows would make up videos and B-sides for the A Momentary Lapse of Reason singles and later these shows were released as a bootleg recordings entitled Pink Floyd: The Calhoun Tapes and Would You Buy A Ticket To This Show. Then in August 1988, the band went to Nassau Coliseum and filmed and recorded their five night stand for Delicate Sound of Thunder at the end of the initial Momentary Lapse 1987/88 tour. The album was released in 1988 as a double LP, double cassette, and a double CD, each format containing a slightly different track listing. The album includes many works from A Momentary Lapse of Reason as well as quite a few from older albums. The double LP format did not have "Us and Them" on the track listing. Both the double LP and the double cassette had "Wish You Were Here" between "Another Brick in the Wall (Part 2)" and "Comfortably Numb". Although David Gilmour stated around the time of its release and on a radio interview in 1992 that the album contained no studio overdubbing whatsoever, he embellished the tracks during mixing with some extra acoustic guitar on "Comfortably Numb", according to engineer Buford Jones. In addition, some harmonies were replaced by studio re-takes: Richard Wright re-did his vocal on "Us and Them" and Sam Brown replaced Rachel Fury's part in "Comfortably Numb". Delicate Sound of Thunder reached #11 on the Billboard 200 and is currently listed as Triple Platinum in U.S. sales — it was certified Gold and Platinum on January 23, 1989 and Triple Platinum in April 1997. Delicate Sound of Thunder became the first rock album to be played in space, as Soviet cosmonauts took it aboard Soyuz TM-7. They left the cassette box on Earth to save weight. The members of Pink Floyd were present at the launch. The double LP was also the band's only album to be officially released in the Soviet Union by the state-owned label Melodiya.

Shine On

Shine On is a 1992 nine-CD box set by Pink Floyd which was released through EMI Records in the United Kingdom and Columbia Records in the United States to coincide with Pink Floyd's 25th anniversary as a recording and touring band. All CDs were digitally remastered. The packaging on each of the previously-released albums was unique to this set. The spines of the eight black CD cases lined up to show the prism from The Dark Side of the Moon. Included with the box set was a hardcover book chronicling the career of Pink Floyd from its inception to the late 1980s. As the collection was meant to showcase the best of Pink Floyd, the decision was made to not include the soundtrack albums More or Obscured By Clouds, or the albums Ummagumma and Atom Heart Mother. The band's first album, The Piper At The Gates Of Dawn was not included, as at the time EMI were planning to release a special edition of the album, and it was hoped that new fans would buy both this set and the re-released debut. 1983 album The Final Cut was also omitted. According to drummer Nick Mason, a suggestion for the title of the box set was The Big Bong Theory. David Gilmour said calling the box set Shine On was not a bowing out retirement box set but a continuation.

The Division Bell

The Division Bell is the fourteenth and last studio album by English progressive rock group Pink Floyd. It was released in the United Kingdom (UK) by EMI Records on 28 March 1994, and in the United States (US) by Columbia Records on 4 April. Written mostly by guitarist David Gilmour and keyboardist Richard Wright, the album deals mostly with themes of communication. Recording took place in a number of locations, including the band's Britannia Row Studios, and Gilmour's houseboat, Astoria. The production team included Pink Floyd stalwarts such as producer Bob Ezrin, engineer Andy Jackson, and saxophonist Dick Parry. Gilmour's new wife, Polly Samson, co-wrote many of the album's lyrics, and Wright performed his first lead vocal on a Pink Floyd album since 1973's The Dark Side of the Moon. The album went to number one in the UK and the US, but received lukewarm reviews. Its release was followed immediately by a tour of the US and Europe. The Division Bell was certified Gold, Platinum, and Double Platinum in the US in June 1994, and triple Platinum in January 1999. The album sold over 12 million copies worldwide. Much of the album deals with themes of communication—the idea that talking can solve more of life's problems. Songs such as "Poles Apart" and "Lost for Words" are occasionally interpreted as references to the long-standing estrangement between former band-member Roger Waters and Pink Floyd, though Gilmour has denied that the album is an allegory for the split. In 1994 he said: "People can invent and relate to a song in their personal ways, but it's a little late at this point for us to be conjuring Roger up." The general theme of communication is reflected in the choice of name for the album; The Division Bell was inspired by the division bell rung in the British parliament to indicate that a vote is to take place. Drummer Nick Mason expanded on this in 1994, when he said "it does have some meaning. It's about people making choices, yeas or nays."


Pulse (stylized as p·u·l·s·e) is a live double album by Pink Floyd, released through EMI Records on 29 May 1995 in the United Kingdom and by Columbia Records on 6 June 1995 in the United States, containing songs from their albums. The album was recorded during the band's Division Bell tour in 1994, specifically the UK and European leg, which ran from July to October 1994 (See Pink Floyd live performances). The tour was sponsored in Europe by Volkswagen, which also issued a commemorative version of its top-selling car, the Golf Pink Floyd, one of which was given as a prize at each concert. It was a standard Golf with Pink Floyd decals and a premium stereo, although it had Volkswagen's most environmentally friendly engine, at Gilmour's insistence. The special version, that could have been released in 1996, on June 2, was cancelled. The album includes a complete live version of The Dark Side of the Moon and features a booklet with many photos from performances on this tour. It also features "Astronomy Domine", a Syd Barrett song not performed since the early 1970s. Unlike Delicate Sound of Thunder, David Gilmour and producer James Guthrie have stated that no parts of the songs were re-recorded in the studio (James Guthrie confirmed this in an interview with Pink Floyd fanzine Brain Damage). However, the band and Guthrie fixed songs that had bad notes (as heard on some bootlegs) by lifting solos and corrected vocal lines from other performances as the band recorded most of the European leg.

Is There Anybody Out There? The Wall Live

Is There Anybody Out There? The Wall Live 1980–81 is an album released by Pink Floyd in 2000. It is a live rendition of The Wall, produced and engineered by James Guthrie, with tracks selected from the August 1980 and June 1981 performances at Earls Court in London. The album was first released in The Netherlands by EMI Records on 23 March 2000, who released a limited edition in the United Kingdom on 27 March. The general release followed on 18 April 2000, with US and Canadian distribution by Columbia Records. The shows actually involved the construction of a wall on stage, throughout the first half of the show. Once it was finished, members of the band performed in small openings in the wall, atop the wall, in front of the wall, or even behind the wall. The album artwork featured the life-masks of the four members of Pink Floyd at the time in front of a black Wall, which were worn by the "surrogate band" during the song "In the Flesh?". Is There Anybody Out There? contains live versions of all the original songs along with two additional songs: "What Shall We Do Now?" and "The Last Few Bricks". "What Shall We Do Now?" was actually planned for the original album, but removed just before release (it was left on the lyric sheet for the original LP, but excised from future CD re-releases.) "The Last Few Bricks", on the other hand, was an instrumental bridge between "Another Brick in the Wall (Part III)" and "Goodbye Cruel World" which contained themes from "The Happiest Days of Our Lives", "Don't Leave Me Now", "Young Lust" (transposed down, from E to D), and "Empty Spaces"/"What Shall We Do Now?", and was played onstage to allow the bricklayers to lay a considerable number of bricks missing to almost completely seal off the stage before Roger Waters appeared in the last one-brick-wide space in the wall to sing "Goodbye Cruel World", and end the first part of the show. Interestingly, before the release of the live album, this bridge never had an official title. Fans called the track "Almost Gone" on some bootleg albums of the shows, but the official name—"The Last Few Bricks"—was not used at the shows in 1980–1981, and instead was suggested to Roger Waters by producer James Guthrie during the mixing of the live album. There are also two spoken tracks both titled "MC:Atmos" ("Master of Ceremonies" was the title on the first North American release), one occurring before "In the Flesh?" at the beginning of the album, and one before the reprise "In the Flesh", midway through the second half. These are performed by Gary Yudman, who was the MC for the Earls Court shows in 1980 and 1981 (he also MC'd the Nassau Coliseum performances of The Wall).

Echoes: The Best of Pink Floyd

Echoes: The Best of Pink Floyd is a compilation album by Pink Floyd. It was released by EMI Records on 5 November 2001, in the United Kingdom and the following day in the United States through Capitol Records. It debuted on the Billboard 200 album chart on 24 November 2001, at number 2 with sales of 214,650 copies. It remained on the chart for 26 weeks. The album was certified Gold, Platinum and Double Platinum on 6 December 2001, in the U.S. by the RIAA. It was certified Triple Platinum in the U.S. on 8 January 2002, and Quadruple platinum on 10 September 2007. Echoes is the first album released on Compact Disc that includes "When the Tigers Broke Free", which appeared in the film version of The Wall (the song later appeared on the 2004 re-release of The Final Cut in a slightly re-mixed form). The compilation spans the career of Pink Floyd from their first single "Arnold Layne" in 1967, through to "High Hopes", the final track from their 1994 studio album The Division Bell. Four of their albums—Soundtrack from the Film More, Ummagumma, Atom Heart Mother, and Obscured by Clouds—are not represented whatsoever, though multiple tracks from Atom Heart Mother and Ummagumma were planned to appear on the compilation. Each of the twenty-six tracks fades from one to the next with no break in the music, courtesy of longtime producer–engineer James Guthrie to help recreate the concept album feel of the band's mid-period work. All twenty-six tracks were newly remastered specifically for this compilation and are not sequenced in chronological order. "There's been the occasional phone call but no great brainstorming sessions to get us all together. All our stuff in conducted through our engineer James Guthrie, who coordinated Echoes from his place in Lake Tahoe." — David Gilmour, Storm Thorgerson, best known for creating the majority of album covers for Pink Floyd, worked with the band Dream Theater on their 1997 album Falling into Infinity and submitted to the band two sketches for possible covers. One became the cover that was used on the release. The second ended up being used by Pink Floyd for Echoes four years later. The two original sketches are framed and hanging in the home of former Dream Theater drummer Mike Portnoy and is pointed out by Portnoy in his Hudson Music instructional drum DVD In Constant Motion.

Oh, by the Way

Oh, by the Way is a compilation box set by Pink Floyd released on 10 December 2007, by EMI Records in the United Kingdom and the following day in the United States through Capitol Records. The box set includes all fourteen of their standard studio albums, packaged as mini-vinyl replicas. In addition to the albums, and their extras, the set comes with a specially designed 40th Anniversary poster by Storm Thorgerson, featuring 40 Pink Floyd images. The title is a reference to a line in the song "Have a Cigar": "Oh by the way, which one's Pink?" The box cover consists of a concept similar to that of Ummagumma—one side of the box shows a picture of a room with various objects scattered about inside it, with pictures of the main band members (Roger Waters, David Gilmour, Nick Mason and Richard Wright) on the walls, whilst the other side shows the same room in different lighting, with the objects and pictures of band members rearranged. Supposed to be limited to 10,000 sets.

Roger Waters Collection

Following the release of The Final Cut, Waters embarked on a solo career that produced three concept albums and a movie soundtrack. In 1984, he released his first solo album, The Pros and Cons of Hitch Hiking, a project about a man's dreams across one night that dealt with Waters' feelings about his failed marriage to Judy Trim, sex, and the pros and cons of monogamy and family life versus "the call of the wild". In the end the character, Reg, chooses love and matrimony over promiscuity. The album featured guitarist Eric Clapton, jazz saxophonist David Sanborn, and artwork by Scarfe. Rolling Stone's Kurt Loder described The Pros And Cons of Hitch Hiking as a "strangely static, faintly hideous record", Rolling Stone rated the album a "rock bottom" one star." Years later, Mike DeGagne of Allmusic praised the album for its, "ingenious symbolism" and "brilliant use of stream of consciousness within a subconscious realm", rating it four out of five stars. Waters began touring the new album aided by Clapton, a new band, new material, and a selection of Pink Floyd favourites. Waters débuted his tour in Stockholm on 16 June 1984. Poor ticket sales plagued the tour, and some of the larger venues had to be cancelled. By his own estimate, he lost £400,000 on the tour. In March 1985, Waters went to North America to play smaller venues with the Pros and Cons Plus Some Old Pink Floyd Stuff — North America Tour 1985. The Pros and Cons of Hitch Hiking has been certified Gold by the RIAA. In 1986, Waters contributed songs and a score to the soundtrack of the animated movie When the Wind Blows, based on the Raymond Briggs book of the same name. His backing band featuring Paul Carrack was credited as The Bleeding Heart Band. In 1987, Waters released Radio K.A.O.S., a concept album based on a mute man named Billy from an impoverished Welsh mining town who has the ability to physically tune into radio waves in his head. Billy first learns to communicate with a radio DJ, and eventually to control the world's computers. Angry at the state of the world in which he lives, he simulates a nuclear attack. Waters followed the release with a supporting tour also in 1987. In November 1989 the Berlin Wall fell, and in July 1990 Waters staged one of the largest rock concerts in history, The Wall – Live in Berlin, on the vacant terrain between Potsdamer Platz and the Brandenburg Gate, with an estimated 200,000 people in attendance. Leonard Cheshire asked him to do the concert to raise funds for charity. Waters' group of musicians included Joni Mitchell, Van Morrison, Cyndi Lauper, Bryan Adams, Scorpions, and Sinéad O'Connor. Waters also used an East German symphony orchestra and choir, a Soviet marching band, and a pair of helicopters from the US 7th Airborne Command and Control Squadron. Designed by Mark Fisher, the Wall was 25 metres tall and 170 metres long and was built across the set. Scarfe's inflatable puppets were recreated on an enlarged scale, and although many rock icons received invitations to the show, Gilmour, Mason, and Wright, did not. Waters released a concert double album of the performance which has been certified platinum by RIAA. In 1990 Waters hired manager Mark Fenwick and left EMI for a worldwide deal with Columbia. He released his third studio album, Amused to Death, in 1992. The record is heavily influenced by the events of the Tiananmen Square protests of 1989 and the Gulf War, and a critique of the notion of war becoming the subject of entertainment, particularly on television. The title was derived from the book Amusing Ourselves to Death by Neil Postman. Patrick Leonard, who had also worked on A Momentary Lapse of Reason, co-produced the album. Jeff Beck played lead guitar on many of the album's tracks, which were recorded with an impressive cast of musicians at ten different recording studios. It is Waters' most critically acclaimed solo recording, garnering some comparison to his previous work with Pink Floyd. Waters described the record as a, "stunning piece of work", ranking the album with Dark Side Of The Moon and The Wall as one of the best of his career. The album had one hit, the song "What God Wants, Pt. 1", which reached number 35 in the UK in September 1992 and number 5 on Billboard's Mainstream Rock Tracks chart in the US. Amused to Death was certified Silver by the British Phonographic Industry. Sales of Amused to Death topped out at around one million and there was no tour in support of the album. Waters would first perform material from it seven years later during his In the Flesh tour. In 1996, Waters was inducted into the US and UK Rock and Roll Hall of Fame as a member of Pink Floyd. In 1999, after a nearly 12-year hiatus from touring, and a 7-year absence from the music industry, Waters embarked on the In the Flesh Tour, performing both solo and Pink Floyd material. The tour was a financial success in the US and though Waters had booked mostly smaller venues, tickets sold so well that many of the concerts were upgraded to larger ones. The tour eventually stretched across the world and would span three years. A concert film was released on CD and DVD, named In the Flesh Live. During the tour, he played two new songs "Flickering Flame" and "Each Small Candle" as the final encore to many of the shows. In June 2002, he completed the tour with a performance in front of 70,000 people at the Glastonbury Festival of Performing Arts, playing 15 Pink Floyd songs and five songs from his solo catalog. Miramax announced in mid-2004 that a production of The Wall was to appear on Broadway with Waters playing a prominent role in the creative direction. Reports stated that the musical contained not only the original tracks from The Wall, but also songs from Dark Side of the Moon, Wish You Were Here and other Pink Floyd albums, as well as new material. On the night of 1 May 2004, recorded extracts from the opera, including its overture, were played on the occasion of the Welcome Europe celebrations in the accession country of Malta. Gert Hof mixed recorded excerpts from the opera into a continuous piece of music which was played as an accompaniment to a large light and fireworks display over Grand Harbour in Valletta. In July 2004, Waters released two new tracks on the Internet: "To Kill the Child", inspired by the 2003 invasion of Iraq, and "Leaving Beirut", "inspired by his travels in the Middle East as a teenager". The lyrics to "Leaving Beirut" contain strong attacks on former US President George W. Bush and British Prime Minister Tony Blair.


Live in Gdansk (Limited Edition 5 Disc Set) Exclusive 5 Disc Set - 3 CDs + 2 DVDs USA VERSION (NOT IMPORT)

Live in Gdańsk is a live album by David Gilmour. It is a part of his On an Island project which includes an album, tour, DVD, and live album. It was released on 22 September 2008. A David Gilmour Signature Series Fender Stratocaster was released at the same time. It is a recording of the final show of his On an Island tour in 2006, where he played to an audience of 50,000 at the Gdańsk Shipyard to celebrate the founding of the Solidarity trade union. The show featured the song A Great Day for Freedom, which appears on Pink Floyd's final studio album The Division Bell from 1994. It was last performed by Gilmour during his semi-acoustic shows in 2002. It's also the final Pink Floyd-related recording to feature the late Richard Wright, who died on September 15, 2008, one week before the album's official release. Gilmour and his band were backed by the Polish Baltic Philharmonic Orchestra conducted by Zbigniew Preisner and Leszek Możdżer on piano. The album debuted at #10 on the UK Album chart and debuted at #26 on the US Billboard album chart.


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